The film operates within strictly heteronormative social structures. There is no presence of queer subtext or non-cisnormative identities within the character dynamics.

Nancy provides a pivotal sense of agency, yet her role remains tied to male characters. The plot is largely driven by male-dominated criminal and institutional hierarchies.

The cast reflects the demographic homogeneity of Victorian London. The portrayal of Fagin remains a point of tension due to the use of historical ethnic tropes.

The narrative offers a strong critique of Western institutions. It portrays the workhouse and religious authorities as hypocritical, corrupt, and inherently oppressive.

Disability is not a central focus and lacks character agency. Vulnerability is framed through the lens of socioeconomic class rather than specific physical or neurodivergent identities.