The film follows the heteronormative framework of the original play. It lacks explicit queer romantic arcs or non-cisnormative identities, focusing instead on traditional interpersonal dynamics.

Women like Gertrude and Ophelia face systemic corporate and familial pressures. While Ophelia's madness critiques restrictive social roles, the film does not fundamentally dismantle the patriarchal hierarchy.

The New York City setting provides a more pluralistic, diverse landscape than a period piece. It utilizes a color-blind approach to world-building without making race a primary plot driver.

The film offers a sophisticated critique of Western institutions by reimagining Elsinore as a corrupt corporate entity. It embraces a postmodern, secular perspective through themes of surveillance and moral relativism.

Mental instability and psychological fragmentation drive the tragedy. However, these depictions of distress remain tethered to classical tropes of madness rather than exploring neurodivergence with agency.