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Shinobi no Mono 3: Resurrection

Name: Shinobi no Mono 3: Resurrection
Director: Kazuo Mori
Released: 1963
Duration: 86 min

Representation Score

3.6/10

Limited

1963

Not Rated

Director

Kazuo Mori

Runtime

86 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Shinobi no Mono 3: Resurrection is a traditional period drama that focuses on historical martial conflicts rather than modern diverse representation. Its strength lies in its thematic depth, using the ninja archetype to explore social outsiders navigating a rigid, oppressive hierarchy. However, the narrative is heavily focused on male-driven political maneuvering and lacks LGBTQ+ identities or diverse gender expressions. While it offers a nuanced critique of feudal power structures, it remains limited by the social norms of its era and genre.

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Category Breakdown

Does Shinobi no Mono 3: Resurrection have LGBTQ+ representation?

Limited

The film does not include any non-straight or non-cisgender identities or same-sex relationships. It follows the social norms of the Sengoku era.

How does Shinobi no Mono 3: Resurrection portray gender?

Limited

Men, particularly male warlords and legendary figures like Goemon and Hanzo, play key roles. Women seem to have secondary roles rather than driving the main plot.

How racially and ethnically diverse is Shinobi no Mono 3: Resurrection?

Fair

The cast is ethnically uniform, reflecting the historical context of 16th-century Japan. However, it examines the social exclusion faced by the shinobi class.

How does Shinobi no Mono 3: Resurrection represent religion and culture?

Good

The story criticizes centralized authority by portraying warlords as creators of oppression. It delves into the moral complexities of dismantling a corrupt system.

Does Shinobi no Mono 3: Resurrection include disability representation?

Minimal

There are no depictions of physical or neurodivergent disabilities in this work.

Present on Screen

Uses the shinobi archetype to explore themes of social exclusion and outsiders.
Offers a complex critique of systemic corruption and centralized political power.

Limited or Absent

Does not include LGBTQ+ identities or non-cisgender gender expressions.
Primary roles are dominated by male characters, reinforcing traditional masculine hierarchies.

Official Synopsis

[Period covered: 1595-1600] We last saw ninja Ishikawa Goemon, as he was about to be boiled alive. But a good ninja is both hard to find, and even harder to kill. With the help of the enigmatic Hattori Hanzo, Goemon lives to skulk another day, and sets his sights on bringing down the warlord who tried to turn him into soup – Toyotomi Hideyoshi. And as always, in the background, the suble hand of Tokugawa Ieyasu is pulling strings as he plots to rule all of Japan!

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