
The Store
1983

Representation Score
Good
1981
Director
Frederick Wiseman
Runtime
129 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Wiseman’s documentary provides a detailed examination of the fashion and advertising industries. It goes beyond surface-level aesthetics to explore the labor, administrative hierarchies, and systemic power dynamics that define the modeling profession. While the film offers a critical perspective on how capitalism commodifies personal identity, it remains limited by the exclusionary nature of its subject matter. The focus on standardized beauty standards leads to minimal representation of disability and LGBTQ+ identities. Overall, the film serves as a social analysis of professional hierarchies. It captures a multi-ethnic workforce, yet the observational approach emphasizes industry mechanics over individual identity-driven stories.
Category Breakdown
The film focuses on the professional aspects of the fashion industry without explicitly depicting non-straight or non-cisgender identities. There are no queer-coded narratives within the professional context.
The film highlights the demanding labor and physical scrutiny faced by female models in the fashion industry. It exposes the systemic power imbalances and hierarchical structures in the workplace.
The film showcases a variety of models representing the diverse ethnic makeup of New York's fashion scene in the early 1980s. It captures a multi-ethnic workforce operating within standardized commercial frameworks.
The documentary critiques the capitalist structures that commodify identity by focusing on the beauty industry. It presents a clinical view of how these structures shape societal standards.
The film does not include any visible or invisible disabilities. The industry's emphasis on idealized body types excludes individuals with disabilities or neurodivergent conditions.
Present on Screen
Limited or Absent
Official Synopsis
MODEL shows male and female models at work on TV commercials, fashion shows, magazine covers, and advertising for a variety of products, including designer collections, fur coats, sports clothes and automobiles. The models are seen at work with photographers whose techniques illustrate different styles of fashion and product photography. The business aspect of running an agency is also shown: interviewing prospective models, career counseling, arranging portfolios, talking with clients, and planning trips. The film presents a view of the intersections of fashion, business, advertising, photography, television and fantasy.

1983

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