
Thinking XXX
2004

2012
NRDirector
Timothy Greenfield-Sanders
Runtime
75 minutes
Average Rating
No ratings yetSynopsis
An intimate view of the women whose images have defined our sense of beauty over the past five decades. An uncensored look at many of the biggest names in modeling, the movie reveals the stories behind the magazine covers displaying these multicultural pioneers. Each woman is candidly interviewed in the studio and shares her experiences, ideas on longevity, and philosophy of life in the fashion industry. Elegant archival footage and interviews with designer Calvin Klein and agency head Eileen Ford round out this absorbing chronicle.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film explores the personal philosophies and professional lives of supermodels. While providing an uncensored look at these women, it lacks a definitive focus on queer identities or specific LGBTQ+ narratives.
Gender Representation
The documentary centers on female agency, shifting focus away from the male gaze. It presents models as architects of their own identities rather than passive objects of beauty.
Racial & Ethnic Diversity
The film highlights multicultural pioneers who broke historically homogeneous beauty standards. It validates non-Anglo-Saxon contributions to the global fashion industry through these central figures.
Religious & Cultural Diversity
The narrative critiques the superficiality of consumerist beauty standards by revealing the stories behind iconic magazine covers. However, it remains an observational chronicle within a high-capitalist framework.
Disability Representation
There is no specific evidence regarding the depiction of neurodivergence or physical disabilities. The focus on aesthetic evolution may inadvertently prioritize conventional physical standards.
Strengths
Areas for Improvement
AI Analysis
About Face: Supermodels Then and Now succeeds in humanizing industry icons by prioritizing their internal realities over external spectacle. By centering the narrative on the models' own voices, the film effectively disrupts traditional hierarchies that often treat women as mere objects. The documentary's strength lies in its celebration of multiculturalism and female autonomy. It moves beyond the surface of fashion to document how diverse women shaped global aesthetic standards. However, the film remains largely observational and operates within the capitalist structures of the fashion world. It lacks explicit engagement with LGBTQ+ identities or disability representation, focusing instead on professional and aesthetic evolution.

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