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Merrily We Go to Hell

Name: Merrily We Go to Hell
Director: Dorothy Arzner
Released: 1932
Duration: 83 min

Representation Score

5.0/10

Fair

1932

Director

Dorothy Arzner

Runtime

83 minutes

Average Rating

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New Showbiz Analysis

Merrily We Go to Hell highlights female empowerment through its narrative structure, where women play key roles in shaping the male lead's journey. However, the film falls short in representing diverse racial backgrounds and LGBTQ+ identities. Additionally, the portrayal of alcoholism as a plot device does not fully explore the lived experiences of those with disabilities.

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Category Breakdown

Does Merrily We Go to Hell have LGBTQ+ representation?

Minimal

The story revolves around a traditional love triangle without any clear representation of LGBTQ+ identities or narratives.

How does Merrily We Go to Hell portray gender?

Good

Joan Prentice plays a pivotal role, driving the male lead's development and showcasing women's intellectual influence.

How racially and ethnically diverse is Merrily We Go to Hell?

Minimal

The cast predominantly features white actors, focusing on the economic and social dynamics of the upper-class community.

How does Merrily We Go to Hell represent religion and culture?

Fair

The film delves into moral ambiguity and the fragility of high-society institutions, while maintaining a capitalist perspective.

Does Merrily We Go to Hell include disability representation?

Limited

Alcoholism is a central theme, portrayed seriously but primarily as a character obstacle within a romantic storyline.

Present on Screen

Women are positioned as central figures, influencing the male lead's development.
The film explores complex moral and societal issues.
Dorothy Arzner's direction emphasizes female intellect and ability to act.

Limited or Absent

The cast lacks racial and ethnic diversity.
There is no representation of LGBTQ+ identities or narratives.
Disability is used primarily as a plot device rather than a lived experience.

Official Synopsis

A drunken newspaperman, Jerry Corbett, is rescued from his alcoholic haze by an heiress, Joan Prentice, whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania.

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