The film adheres to the heteronormative structures of its historical setting. The narrative focus remains strictly on the destructive romantic dyad between Juana and Felipe.

The film subverts traditional hierarchies by centering on a female protagonist whose emotional landscape dictates the momentum. Juana is portrayed with agency rather than as a submissive or decorative queen.

Casting reflects the demographic homogeneity of the Spanish court during this era. The film focuses on the socio-political nuances of the Castilian aristocracy without utilizing diverse ethnic casting.

The narrative avoids a binary moral framework, presenting actions as results of psychological states. It portrays political and religious institutions as oppressive forces that exacerbate the protagonist's isolation.

The film explores mental health through Juana's descent into perceived madness. It grants her significant agency, treating her condition as a central element of her identity.