
Copernicus
1973

Representation Score
Fair
2012
Director
Yojiro Takita
Runtime
141 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Tenchi: The Samurai Astronomer is a traditional historical biography that emphasizes scientific achievement over social critique. The film adheres to the historical realism of the Edo period, focusing on the intellectual development of a single individual. While the film maintains cultural authenticity, it lacks representation of diverse identities, including LGBTQ+ characters and varied gender roles. The narrative structure centers on individual ability to act within rigid societal structures rather than challenging social hierarchies. Ultimately, the film serves as a character study of perseverance and empirical discovery, providing a culturally specific but demographically narrow perspective.
Category Breakdown
The story focuses on the scientific journey of Yasui Santetsu and does not include any LGBTQ+ identities or non-straight relationships.
The film centers on a male historical figure's intellectual journey. Female characters play secondary roles in the protagonist's pursuit of astronomical mastery within the Edo period hierarchy.
The cast reflects the homogeneous culture of 17th-century Japan without engaging with diverse ethnic identities. The film avoids whitewashing but does not include varied ethnic backgrounds.
The story explores the tension between tradition and empirical observation. It shows the interplay between imperial authority and the pursuit of scientific truth.
There is no depiction of physical or neurodivergent disabilities in this biographical account.
Present on Screen
Limited or Absent
Official Synopsis
A chronicle of the life of Yasui Santetsu, a 17th century master of go who turned his attention to astronomy and created a new calendar for Japan. Based on the life of Santetsu Yasui (December 27, 1639-November 1, 1715), appointed as the first official astronomer in the Edo Period and would go on to create the Jokyo calendar at the imperial request.

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