The film lacks LGBTQ+ characters or narratives. The segments focus on traditional supernatural encounters within standard social structures.

The anthology adheres to conventional horror tropes. It does not significantly subvert traditional gender hierarchies or deconstruct gendered social roles.

The cast is predominantly homogeneous, reflecting its Japanese production. The stories are deeply rooted in a specific cultural context and local mythos.

The film excels in depicting non-secular spirituality and folklore. It prioritizes spiritualism and moral relativism over Western secularism.

There is no evidence of characters with disabilities being afforded agency. Physical or mental distress is used primarily for atmospheric tension.