
Tales from the Dark 1
2013

Representation Score
Fair
2022
Director
Wesley Hoi Ip Sang, Fruit Chan, Andrew Fung Chih-Chiang
Runtime
111 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Tales from the Occult successfully centers its horror within the specific urban landscape of Hong Kong. By using regional folklore and local occult practices, the film avoids Western-centric clichés and offers a diverse view of spirituality. However, the film's diversity is limited by a lack of representation for multi-layered identities. While the director's background suggests deep socio-political themes, the film remains silent on LGBTQ+ identities and disability representation. Ultimately, the film is a strong example of regional cultural expression but lacks the broad social representation found in more inclusive modern cinema.
Category Breakdown
The film does not show any explicit depictions of queer identity or same-sex relationships. It also does not include narratives that challenge the idea that everyone is straight or cisgender.
The film explores supernatural disruptions that might cause anxiety around traditional gender roles. However, it does not clearly show women driving the plot through intelligence or challenging traditional male leadership.
The anthology focuses on a non-Western, East Asian perspective centered in Hong Kong. It challenges Western horror conventions by highlighting local landscapes and urban fears.
The film emphasizes regional folklore and local occult practices rather than Western religious traditions. It examines the psychological impact of hyper-capitalist urban environments and systemic issues.
There are no characters with visible or invisible disabilities in the film. The narrative does not include roles for individuals with disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Three short films about the hidden horrors that lurk behind the urban landscape of Hong Kong.

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