The film functions as a gothic anthology centered on individual psychological descent. There is no evidence of non-cisnormative identities or narratives designed to critique heteronormativity.

Characters serve as vessels for themes of guilt and mortality rather than agents challenging power structures. The film lacks specific agency-driven subversions of traditional gender hierarchies.

The aesthetic aligns with the historically white-centric landscape of 19th-century American gothic literature. There is no evidence of color-blind casting or high-agency characters of color.

The film explores madness and the supernatural without critiquing Western institutions or religion. It adheres to the existential dread characteristic of the source texts.

Mental health and psychological fragmentation are utilized primarily as horror tropes to drive suspense. The portrayal focuses on the terror of the mind rather than lived experience.