
The Rough and the Smooth
1959

1957
NRDirector
Denys de La Patellière
Runtime
118 minutes
Average Rating
No ratings yetSynopsis
Adapted from James Hadley Chase’s novel, plot finds Robert Mabillon Gelin as a struggling artist who saves Eric Freminger from a drunken suicide attempt, and promptly gets offered employment as a chauffeur by way of gratitude. Once back at the Freminger residence, Robert finds Eric is a severely depressed man with a host of problems. And then Helene Freminger arrives on the scene, hostile, suspicious but ever so sultry, it’s the kick-start of events that can only lead to misery – or worse – for all involved.
Overall Score
Minimal
Category Breakdown
LGBTQ+ Representation
The film lacks any evidence of non-heteronormative identities. The central conflict remains rooted in a traditional marital dynamic.
Gender Representation
A woman drives the plot through high agency, but her actions align with established 'femme fatale' tropes. Her deception serves personal gain rather than subverting patriarchal structures.
Racial & Ethnic Diversity
The film likely reflects the homogeneous social structures of 1957 French cinema. There is no evidence of intersectional casting or diverse ethnic representation.
Religious & Cultural Diversity
The narrative focuses on personal moral failings regarding insurance fraud. It reinforces social and legal stability rather than critiquing Western institutions.
Disability Representation
There is no indication of characters with visible or invisible disabilities. No neurodivergent representation is present in the narrative.
Strengths
Areas for Improvement
AI Analysis
There's Always a Price Tag is a mid-century drama focused on individual morality and the psychological tension of a bourgeois family. The plot centers on a wife's attempt to manipulate life insurance following her husband's suicide, prioritizing personal ethics over social commentary. The film adheres to the formalist conventions of its era, emphasizing traditional social hierarchies. It lacks the intentionality needed to disrupt conventional expectations regarding identity or systemic power structures. Ultimately, the work functions as a standard period drama that explores greed and deception within a very narrow, homogeneous social framework.

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