No. 1: A Strange Dream
1939
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Representation score: 5.2 out of 10
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No. 3: Interwoven
Representation Score
4.2/10
Fair
1947
Director
Harry Smith
Runtime
3 minutes
Average Rating
No ratings yetNew Showbiz Analysis
No. 3: Interwoven is an experimental, non-narrative work that focuses on abstract studies of form and rhythm. Since it lacks characters, traditional measures of identity-based representation don’t apply. Its diversity value lies in its challenge to mid-20th-century cinematic norms. By rejecting standard storytelling structures, it avoids the gendered and racialized clichés common in mainstream 1947 films. The film's connection to Afro-Cuban jazz introduces a unique, cross-cultural sensory element, even though it lacks explicit human representation.
Category Breakdown
Does No. 3: Interwoven have LGBTQ+ representation?
The film doesn't include recognizable characters or gendered dialogue, nor does it have any romantic subplots. As an abstract animation, it doesn't explicitly address or critique assumptions about straight relationships.
How does No. 3: Interwoven portray gender?
The film doesn't feature gendered archetypes. By avoiding characterization, it steers clear of reinforcing traditional masculine or feminine roles common in 1947 films.
How racially and ethnically diverse is No. 3: Interwoven?
The film lacks human subjects but intends to synchronize with Dizzy Gillespie’s Afro-Cuban jazz, suggesting an interest in engaging with non-Western rhythmic styles.
How does No. 3: Interwoven represent religion and culture?
The work prioritizes abstraction over specific moral teachings or religious instruction. It rejects traditional Western storytelling demands for heroism or moral conclusions.
Does No. 3: Interwoven include disability representation?
The film contains no human characters or depictions of physical or mental conditions, making it impossible to assess how it portrays disabilities.
Present on Screen
- Avoids traditional gendered archetypes through a neutral, non-binary visual language.
- Engages with non-Western cultural textures through its intended synchronization with Afro-Cuban jazz.
- Rejects Eurocentric narrative requirements such as moral resolution and heroism.
Limited or Absent
- Lacks explicit representation of multiple aspects of identity or identifiable human characters.
- Does not offer direct engagement with social identity politics or specific identity-based storylines.
Official Synopsis
Hand-painted 35 mm stock photographed in 16 mm, color, 3:20 or 10 min. Reportedly cut down from about 30 min. Initially intended to be screened with and synchronized to Dizzy Gillespie's Guarachi Guaro or Manteca. "Batiked animation made of dead squares...".
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