
Even the Clouds Are Drifting
1959

Representation Score
Limited
1963
Director
Kim Soo-yong
Runtime
82 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Kim Soo-yong’s drama provides a realistic portrayal of displacement through the lives of North Korean defectors. It delves into the socio-political fractures of the 1960s to shape its characters’ experiences. However, the film does not incorporate modern progressive values that consider multiple aspects of identity. Instead, it focuses on survival within established social structures. While the film offers a nuanced look at ethnic and national identity, it falls short in representing gendered roles and non-traditional gender identities.
Category Breakdown
The film focuses on traditional familial structures and the survival of defectors. There are no explicit LGBTQ+ characters or narratives that question the assumption that everyone is straight or cisgender.
Women are shown in roles of domestic and cultural labor, such as the gisaeng tradition. These roles are often influenced by economic needs and systemic pressures rather than personal choice.
The story centers on North Korean defectors living on the fringes of society. It explores the concept of internal 'othering' within a country divided by politics.
The narrative examines the tension between traditional Korean values and Western influences. It portrays the struggle of preserving cultural heritage amid the changes brought by post-war developments.
There is no evidence of physical or mental disabilities being portrayed in this work.
Present on Screen
Limited or Absent
Official Synopsis
The story takes place on a mountain slope where defectors from North Korea live. These families sell cheap things such as socks and pens to make a living and there is a serious gap between the parents and their children. A widower Kim Deok-sam nags his son Geo-buk to join the American army. Ok-Mae who lives next door teaches her daughter Bok-soon traditional Korean folksongs and forces her to become a gisaeng.

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