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Trouble in Morocco

Name: Trouble in Morocco
Director: Ernest B. Schoedsack
Released: 1937
Duration: 62 min

Representation Score

1.1/10

Minimal

1937

Passed

Director

Ernest B. Schoedsack

Runtime

62 minutes

Average Rating

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New Showbiz Analysis

Trouble in Morocco serves as a historical document of 1930s ethnographic travelogues. While it provides significant visibility to North African people and customs, it does so through a colonial-era lens that prioritizes exoticism over individual complexity. The film lacks intentionality in challenging systemic hierarchies. It functions more as a Western observation of 'other' cultures for consumption rather than a nuanced exploration of Moroccan identity or social dynamics. Ultimately, the production reflects the era's Western-centric worldview, offering visual diversity without the depth or character complexity needed for a modern progressive narrative.

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Category Breakdown

Does Trouble in Morocco have LGBTQ+ representation?

Minimal

The film focuses on traditional Moroccan life and does not include any LGBTQ+ characters or narratives about non-assuming gender matches what was assigned at birth identities.

How does Trouble in Morocco portray gender?

Limited

Gender roles adhere to 1930s social norms, maintaining a divide between domestic and public spheres. Women are portrayed within the traditional roles of the time without challenging these hierarchies.

How racially and ethnically diverse is Trouble in Morocco?

Fair

The film features a non-white, North African cast. However, the representation is viewed through a Western perspective that emphasizes exoticism over the complexity of individual lives.

How does Trouble in Morocco represent religion and culture?

Limited

Islamic customs and North African social structures are observed. The film presents a traditional Western perspective without engaging with post-colonial themes or internal critiques.

Does Trouble in Morocco include disability representation?

Minimal

There are no specific depictions of visible or invisible disabilities that play a central role in the narrative or character development.

Present on Screen

Offers significant visual representation of a non-Western culture.
Features a predominantly non-white, North African cast as primary subjects.

Limited or Absent

Lacks depth and individualized narratives for its subjects.
Frames cultures through an Orientalist gaze emphasizing exoticism.
Does not challenge traditional gender hierarchies or colonial-era perspectives.

Official Synopsis

A newspaperman Paul Cluett (Jack Holt) gets rival reporter Linda Lawrence (Mae Clark) to admit that she is investigating a story in Morocco that guns are being smuggled illegally.

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