The film lacks explicit depictions of same-sex intimacy or non-cisnormative identities. It relies instead on the thematic subversion of religious structures to explore repressed desires.

The narrative centers on a female authority figure, Sister Incarnation, whose depravity subverts traditional tropes of moral female leadership. This creates a complex power dynamic against patriarchal threats.

Character names suggest a Mediterranean or Latin-influenced setting, moving away from Anglo-Saxon frameworks. However, the film relies on standard European period-piece archetypes without significant intersectional casting.

The film offers a sharp critique of organized religion by framing the convent as a site of systemic oppression. It positions protagonists as victims of a corrupt, dogmatic establishment.

No visible or invisible disabilities are central to the character arcs. The characters are defined by social and religious status rather than physical or neurodivergent conditions.