The film explores non-normative desire through the collective interest the nuns take in Susanna. This subtext disrupts heteronormative religious expectations by challenging traditional sexual hierarchies within the monastic setting.

The narrative centers on a female experience of trauma and rebellion. It subverts nurturing archetypes by depicting female characters as complex, predatory, or jealous drivers of the plot's conflict.

The film adheres to a homogeneous European casting standard. There is no evidence of intersectional racial diversity or non-Anglo-Saxon casting to disrupt historical norms.

The story offers a skeptical view of Western institutions. It portrays the convent as a site of sin and false accusations, critiquing the corruption of religious authority.

There is no evidence of characters with visible or invisible disabilities within the narrative.