The narrative focuses almost exclusively on the internal dynamics of the Yakuza underworld. There is a notable absence of non-cisnormative identities or queer narratives within the central character arcs.

The film features a heavily male-centric ensemble focused on criminal brotherhood. It lacks the female agency or presence necessary to challenge established gender hierarchies.

Casting is predominantly Japanese, aligning with the film's specific cultural setting. It functions as a culturally specific piece rather than an intersectional one.

The film excels in subverting Western-centric institutional stability. It prioritizes moral relativism and survival over traditional civic duty or codified morality.

Physical transformations serve as horror tropes rather than nuanced explorations of disability. Characters lack agency outside of genre-specific apocalyptic mechanics.