The film lacks explicit depictions of LGBTQ+ identities or non-heteronormative romantic arcs. While the source material often utilizes flamboyant aesthetics, the narrative remains focused on a male-centric ensemble.

Agency is concentrated almost entirely within a male cohort, including Jōtarō, Jōsuke, Kōichi, and Okuyasu. There is no evidence of female characters possessing significant plot-driving power or subverting traditional hierarchies.

Set in Morioh, Japan, the film features a predominantly Japanese cast. This reflects the geographical setting but results in a relatively homogeneous racial landscape without intersectional casting.

The story explores subjective morality through the 'Stand' phenomenon, which operates outside traditional religious frameworks. Protagonists act as localized vigilantes, prioritizing individual agency over state or religious institutions.

While 'Stands' act as metaphors for internal psychological or physical manifestations, there is no clear evidence of characters with recognized physical or neurodivergent disabilities being portrayed with agency.