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That's How We Women Are

Name: That's How We Women Are
Director: Dino Risi
Released: 1971
Duration: 112 min

Representation Score

7.0/10

Good

1971

Director

Dino Risi

Runtime

112 minutes

Average Rating

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New Showbiz Analysis

Dino Risi’s comedy serves as a significant study of gendered ability to act. By centering the narrative on Monica Vitti’s multifaceted experiences, the film disrupts the era's tendency to treat women as static supporting characters. While the film provides a meaningful departure from traditional hierarchies through its female-led structure, it remains largely confined to the social constraints of its time. The work excels in its subversion of domestic expectations but offers limited visibility regarding racial, LGBTQ+, or disability-related identities.

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Category Breakdown

Does That's How We Women Are have LGBTQ+ representation?

Fair

The film explores unconventional lifestyles typical of 1970s comedy. However, it lacks explicit narratives centered around LGBTQ+ identities or diverse gender expressions.

How does That's How We Women Are portray gender?

Good

Monica Vitti leads the film through twelve episodes, portraying complex, independent characters. This structure emphasizes women's ability to act and intellectual autonomy, challenging traditional patriarchal views.

How racially and ethnically diverse is That's How We Women Are?

Limited

The film reflects the demographic homogeneity of 1971 Italy. There is no evidence of significant racial blending or diverse casting within the narrative.

How does That's How We Women Are represent religion and culture?

Good

Risi uses satire to critique the rigidity of the nuclear family and religious morality. The episodic format challenges traditional Western institutional norms.

Does That's How We Women Are include disability representation?

Fair

The film focuses on neurotypical social interactions. There is no confirmed intentional representation of physical or neurodivergent disabilities.

Present on Screen

The episodic structure centers the female perspective as the primary narrative driver.
Monica Vitti portrays complex, autonomous characters that challenge traditional patriarchal expectations.
The film effectively uses satire to critique established social and religious institutions.

Limited or Absent

The film lacks explicit representation of LGBTQ+ identities or queer-centric narratives.
There is a notable absence of racial and ethnic diversity within the casting.
The narrative does not provide intentional representation of physical or neurodivergent disabilities.

Official Synopsis

The film consists of twelve episodes, all with Monica Vitti as the protagonist.

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