The film adheres to strict 19th-century heteronormative structures. Romantic arcs involving Ann Rutledge and Mary Todd reinforce traditional domestic frameworks without any depiction of non-cisnormative identities.

Narrative agency remains almost exclusively with male protagonists. While Mary Todd Lincoln is a central figure, female characters are relegated to domestic or emotional spheres, reinforcing patriarchal hierarchies.

The film acknowledges racial dynamics by including Black actors to portray enslaved individuals and freedmen. However, Black agency is often framed through the protagonist's moral and political evolution.

The narrative functions as American historical myth-making, prioritizing national unity and Western institutional stability. It lacks critique of the existing political project, focusing instead on patriotic sentiment.

There is no significant evidence regarding the portrayal of physical or neurodivergent disabilities within the film's narrative.