The film adheres to a standard heteronormative framework typical of 1970s crime cinema. There is no evidence of queer narratives or non-cisnormative identities.

Agency is primarily concentrated in male protagonists and antagonists. The narrative operates within a male-dominated landscape of syndicates and law enforcement.

Set in Milan, the film reflects the Mediterranean demographics of the era. It does not utilize intentional intersectional casting to disrupt social orders.

The film excels in its critique of institutional stability. It portrays the police and organized crime as either ineffective or inherently corrupt.

There is no evidence of characters with disabilities being portrayed with agency. Physical trauma is used for grit rather than nuanced exploration.