The film operates within a strictly heteronormative and male-centric framework. There is no discernible presence of non-cisnormative identities or critiques of heteronormativity.

Narrative power is defined by masculine aggression and patriarchal criminal structures. Women are relegated to peripheral roles that lack agency, reinforcing traditional gender hierarchies.

The film depicts a relatively homogeneous Italian urban environment. It reflects the demographic realities of 1970s Milan rather than utilizing diverse ethnic ensembles.

The film excels in deconstructing traditional Western institutions. It portrays law enforcement and morality as ineffective, presenting a world driven by moral relativism.

There is no evidence of characters with visible or invisible disabilities. No such characters are integrated into the narrative or used as plot devices.