
A Daughter Of Destiny
1928

Representation Score
Fair
1930
Director
Richard Oswald
Runtime
103 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Alraune is a provocative Weimar-era text that challenges traditional social and religious institutions. It succeeds in subverting the sanctity of the family and the moral authority of the church through its focus on scientific transgression. However, the film remains limited by its historical context. It lacks racial and LGBTQ+ diversity, and its portrayal of women's ability to drive the story is often tied to chaotic or destructive themes. Ultimately, the film is a study of biological determinism that critiques patriarchal control while remaining anchored in the era's narrow social perspectives.
Category Breakdown
The film doesn't include explicit LGBTQ identities or characters. It explores obsessive and perverse relationships but treats them as biological anomalies rather than part of queer identity.
Alraune challenges male-dominated scientific authority but her actions are often framed through the destructive lens of the femme fatale archetype.
The cast is entirely homogeneous, reflecting the white European context of 1930s German Expressionism. There are no non-Anglo-Saxon identities present.
The story prioritizes secular scientific inquiry over religious dogma. It replaces the traditional family unit with a synthetic, laboratory-born lineage.
The protagonist's status as a biological anomaly serves as a metaphor for the 'other,' used primarily as a horror device rather than a nuanced portrayal of disability.
Present on Screen
Limited or Absent
Official Synopsis
A scientist, Professor Jakob ten Brinken, interested in the laws of heredity, impregnates a prostitute in a laboratory with the semen of a hanged murderer. The prostitute conceives a female child who has no concept of love, whom the professor adopts. The girl, Alraune, suffers from obsessive sexuality and perverse relationships throughout her life. She learns of her unnatural origins and she avenges herself against the professor.

1928

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