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Land of the Lawless

Land of the Lawless

Representation Score

1.2/10

Minimal

1947

Approved

Director

Lambert Hillyer

Runtime

54 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Land of the Lawless is a typical 1947 B-movie Western that follows strict social norms. While it avoids progressive themes, it slightly deviates from gender norms by featuring a powerful female antagonist. However, this deviation is limited, as her power is used to define her as a villain. The racial makeup remains largely unexplored, sticking to the period’s typical types. The film serves as a tale of order overcoming corruption.

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Category Breakdown

Does Land of the Lawless have LGBTQ+ representation?

Minimal

The film sticks to the typical gender roles of the 1940s. There is no indication of non-straight or non-cisgender identities or same-sex relationships.

How does Land of the Lawless portray gender?

Fair

Kansas City Kate stands out as a strong, criminal leader, breaking the usual gender stereotypes. However, her role is framed as villainous, which is common for the time.

How racially and ethnically diverse is Land of the Lawless?

Minimal

The cast seems mostly white, following the typical Anglo-Saxon types of the era. A 'Cherokee Kid' is mentioned, but it’s unclear if this character adds meaningful diversity or just falls into ethnic stereotypes.

How does Land of the Lawless represent religion and culture?

Limited

The story follows a traditional path of restoring justice. It upholds the existing social and legal systems without questioning Western institutions or moral divisions.

Does Land of the Lawless include disability representation?

Minimal

The film doesn’t show or mention any characters with physical or cognitive disabilities.

Present on Screen

  • The film challenges traditional gender roles by featuring a powerful female criminal leader.
  • Kansas City Kate has significant influence over the local criminal activities.

Limited or Absent

  • The film lacks meaningful racial diversity, featuring a predominantly white cast.
  • The portrayal of female power is limited, framed through a villainous perspective.
  • The film upholds traditional social and legal norms without offering critical commentary.

Official Synopsis

Johnny Mack Brown goes up against a female boss villain in this unusual Western from Monogram. Hired to look into dirty dealings in the town of Medicine Flats, Johnny learns that Kansas City Kate (Christine McIntyre), the owner of the Golden Spur Saloon, has been waging a war against local prospectors, one of whom is found murdered. Not appreciating Johnny's interference, Kate has her henchman Cameo (Tristram Coffin) take a shot at him and when that fails, hires a notorious gunslinger, the Cherokee Kid (I. Stanford Jolley).

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