The film operates within a strictly heteronormative framework. The narrative is driven by a traditional romantic triangle with no evidence of queer subtext or non-cisnormative identities.

Gender hierarchies remain traditional, with the female lead functioning as a passive object of desire. Agency is centered on male-driven conflict between the Phantom and Raoul.

The production features a homogeneous, white European cast. It lacks diverse ethnic identities, reflecting the era's cinematic standards and the specific Parisian setting.

The story follows traditional Western dramatic structures without critiquing institutions. It focuses on individual psychological torment rather than exploring multicultural or anti-institutional perspectives.

Physical deformity serves as a central narrative device and a tool for horror. The portrayal leans into the 'tragic monster' trope rather than offering nuanced agency.