
Piccadilly Third Stop
1960

Representation Score
Limited
1963
Director
Wolf Rilla
Runtime
91 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Cairo is a crime thriller that sticks to the conventions of the early 1960s. While it breaks from typical Western settings by using Egypt as a backdrop, the core narrative stays within traditional crime clichés. The film doesn't aim to upset social hierarchies or provide complex character development. It mainly focuses on international criminals without delving deeply into cultural or systemic issues. Overall, the movie reflects the standard storytelling of its time, emphasizing suspense and plot over diverse or deconstructed character perspectives.
Category Breakdown
The film doesn't include any LGBTQ+ characters or stories. It follows the traditional social structures of the early 1960s, focusing on a crime plot.
The story centers around male-driven actions and plot progression. Although there is a key female character, the film doesn't challenge traditional gender roles.
The film showcases Egypt through its locations and characters, providing geographic variety. However, the international criminal cast might suggest a Eurocentric perspective that limits local influence.
The story focuses on crime procedures without significant critique of Western institutions. It emphasizes individual criminal motivations rather than systemic or post-colonial issues.
There are no visible or invisible disabilities shown in the film. These elements don't significantly influence the main characters' journeys.
Present on Screen
Limited or Absent
Official Synopsis
An assortment of international criminals plans to steal priceless Egyptian artifacts from a Cairo museum. MGM remake of Asphalt Jungle set in Egypt.

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1964
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