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Once Upon a Time in Venezuela

Once Upon a Time in Venezuela

Representation Score

9.1/10

Excellent

2020

TV-PG

Director

Anabel Rodríguez Ríos

Runtime

96 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Anabel Rodríguez Ríos creates a powerful documentary that centers on a underrepresented Venezuelan community. The film allows the villagers of Congo Mirador to share their personal experiences, avoiding an external lens of saviorism. The strength of the work lies in its ability to use a localized micro-reality to critique broader political issues. By documenting the decline of a once-thriving village, the film serves as a critical reflection of national systemic failures. While the film excels in cultural and racial representation, it lacks specific focus on LGBTQ+ identities or disability-centric stories.

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Category Breakdown

Does Once Upon a Time in Venezuela have LGBTQ+ representation?

Fair

The film doesn't prominently feature LGBTQ+ narratives or non-cisgender identities. Instead, it focuses on the social breakdown of a community.

How does Once Upon a Time in Venezuela portray gender?

Good

The movie examines how the decline of traditional male roles affects the community. It highlights the resilience and changing roles of women during economic hardship.

How racially and ethnically diverse is Once Upon a Time in Venezuela?

Excellent

By focusing on the Venezuelan village of Congo Mirador, the film challenges a Western-centric perspective. It offers a deep look at a community of color facing modern economic challenges.

How does Once Upon a Time in Venezuela represent religion and culture?

Excellent

The documentary critically examines the collapse of traditional institutions and societal structures. It portrays the village as a community of individuals adapting to a fragmented reality.

Does Once Upon a Time in Venezuela include disability representation?

Fair

The film captures the physical impact of poverty and resource scarcity on the villagers. However, it does not focus on specific physical or cognitive disabilities.

Present on Screen

  • Gives high ability to act to subjects by letting them narrate their own stories.
  • Challenges a Western-centric viewpoint by centering a non-Western, localized community.
  • Provides a nuanced critique of institutional stability and systemic failure through local stories.

Limited or Absent

  • Lacks explicit representation of LGBTQ+ narratives or non-cisgender identities.
  • Does not feature central characters dealing with specific physical or cognitive disabilities.

Official Synopsis

Once upon a time, the Venezuelan village of Congo Mirador was prosperous, alive with fisherman and poets. Now it is decaying and disintegrating—a small but prophetic reflection of Venezuela itself.

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