Dead Times

The film's experimental, non-narrative structure focuses on large-scale human behaviors like war and hunting. Since it avoids personal relationships, there is no specific LGBTQ+ character development or identity-focused stories.

The film looks at humanity as a whole through historical images of conflict. It uses traditional, archetypal depictions of humans and provides little evidence of intentional challenges to gender hierarchies.

While the montage shows a wide range of human activities, the visual style is based in mid-century European avant-garde traditions. It does not explicitly highlight non-Western or perspectives that reflect multiple aspects of identity.

The film demonstrates progressive intent by criticizing Western institutional stability. It uses surrealist imagery to challenge the perceived morality of civilization, presenting human progress as a cycle of inherent dysfunction.

As a philosophical montage of human history and behavior, the film contains no specific depictions of characters with disabilities to evaluate.