
My Country, My Country
2006

Representation Score
Fair
2006
Not RatedDirector
James Longley
Runtime
94 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Iraq in Fragments succeeds as a vital disruption to conventional wartime narratives by centering the voices of the occupied. It avoids a Western-centric gaze, instead providing a poetic, granular look at the lived realities of Sunnis, Shiites, and Kurds. While the film achieves high marks for ethnic authenticity and post-colonial nuance, its scope is limited by its focus on traditional social structures. The narrative architecture leans heavily into male-dominated spheres, which restricts the representation of women and LGBTQ+ identities. Ultimately, the documentary is a powerful study of systemic instability. It trades geopolitical strategy for human portraits, highlighting the moral complexities and the human cost of occupation.
Category Breakdown
The documentary focuses on the immediate survival needs of a war-torn society. There is no discernible presence of LGBTQ+ characters or narratives within the film.
The narrative is heavily centered on male subjects, reflecting traditional gender roles and a male-dominated public sphere. The film highlights the social hierarchies and labor structures typical of patriarchal societies.
The film excels by centering Sunni, Shiite, and Kurdish perspectives. Using non-professional Iraqi subjects provides a rare, high-level look at the country's ethnic complexities.
The film offers a sophisticated critique of foreign policy by documenting the breakdown of infrastructure and religious authority. It embraces the situational ethics of survival.
The film captures the pervasive trauma and physical exhaustion of a population in a conflict zone. However, these are presented as systemic symptoms rather than individual character arcs.
Present on Screen
Limited or Absent
Official Synopsis
An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.

2006

2011

2016

2015
2004

2019

2004

2010
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.