
The Rise of ISIS
2014

2004
TV-MADirector
Martin Smith
Runtime
55 minutes
Average Rating
No ratings yetSynopsis
In the summer of 2003, violence against the U.S.-led coalition in Iraq spiked alarmingly. Traveling across Iraq, FRONTLINE reporters went to see how the U.S. plan to turn the country into a showcase for democracy in the Middle East was faring.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The documentary lacks specific LGBTQ+ narratives or characters. This absence reflects the immediate humanitarian and geopolitical focus of the 2003 Iraq invasion.
Gender Representation
Iraqi women are documented navigating the complexities of war and occupation. However, the film focuses on shared survival rather than critiquing patriarchal structures.
Racial & Ethnic Diversity
The film excels by centering non-Western voices, including Iraqi civilians and local journalists. This approach disrupts conventional Western-centric war reporting tropes.
Religious & Cultural Diversity
The narrative employs a post-colonial lens to critique Western institutional intervention. It highlights the perspectives of those viewing the coalition as an occupying force.
Disability Representation
Physical trauma from violence is documented, but characters with disabilities are not central agents. The film does not focus on neurodivergence or chronic disability.
Strengths
Areas for Improvement
AI Analysis
Beyond Baghdad distinguishes itself by deconstructing Western hegemony through a post-colonial lens. It avoids the standard tropes of geopolitical storytelling by prioritizing the agency of the Iraqi populace over a singular, Western-aligned moral truth. The film's strength lies in its commitment to centering local perspectives, which provides a necessary counter-narrative to the official mission of democratization. By focusing on the lived experiences of those under occupation, it challenges the efficacy of the U.S.-led coalition. However, the documentary remains limited in its exploration of specific identity-based narratives. While it captures the broad humanitarian crisis, it lacks focused representation for LGBTQ+ individuals and those with disabilities.

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