
Kohlhiesel's Daughters
1962

Representation Score
Minimal
1920
Director
Ernst Lubitsch
Runtime
64 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Kohlhiesel's Daughters is a product of its era, prioritizing slapstick comedy and traditional romantic clichés. While it offers a minor subversion of feminine archetypes through Liesel's character, it lacks complexity in representing multiple aspects of identity. The film operates within a homogeneous Bavarian setting, offering little in the way of racial or ethnic variety. The central conflict remains rooted in traditional social hierarchies and the marriage market. Ultimately, the work functions as a lighthearted farce, lacking the systemic critique or diverse representation required for a more progressive score.
Category Breakdown
The film focuses on heterosexual relationships and traditional romance. There are no representations of LGBTQ+ identities or same-sex intimacy.
Liesel's character disrupts traditional feminine expectations through her brutal behavior. However, the plot centers on patriarchal authority and the marriage market.
Set in rural Bavaria, the film presents a homogeneous social environment. It lacks racial or ethnic diversity, reflecting the historical constraints of 1920s regional cinema.
The narrative adheres to traditional village structures and domestic farce. It focuses on individual romantic ability to act rather than engaging in broader institutional or secular critiques.
There are no prominent depictions of physical or neurodivergent disabilities. Characters are defined by their social roles and temperaments within the slapstick plot.
Present on Screen
Limited or Absent
Official Synopsis
Somewhere in Southern Bavaria Xaver wants to marry Gretel, but her father Kohlhiesel wants his elder daughter Liesel to marry first. The problem is, nobody wants to marry her, because she is too brutal. Seppel suggests, that he should marry Liesel first, get rid of her and then he can marry Gretel...

1962

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1927

1915
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