The film adheres to the social mores of its historical setting. There is no discernible presence of non-heteronormative identities or narratives that critique heteronormativity.

The narrative centers on male-driven martial conflict. Female characters primarily function as catalysts for moral dilemmas within a brothel setting rather than as autonomous agents.

The film maintains homogeneous ethnic casting consistent with its historical context. It achieves cultural authenticity by avoiding whitewashing or Western-centric casting norms.

The film critiques established social hierarchies and the corruption of local authorities. Zatoichi represents a disruption to the traditional social order as a social outcast.

Zatoichi’s blindness is a central component of his specialized skill set. The film grants him full autonomy, avoiding tropes by focusing on the practical realities of his condition.