
À la française
2012

Representation Score
Fair
1989
RDirector
Henri Xhonneux
Runtime
83 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Marquis is a provocative satire that uses surrealism to break down traditional social hierarchies. It stands out particularly in its critique of gender norms and its sharp look at institutional power during a time of political unrest. However, the film's impact is limited by its narrow historical and geographic focus. The emphasis on a specific European context means there is little racial or ethnic diversity. Overall, while the film excels at challenging bodily norms and cultural authority, it falls short in representing diverse human experiences like disability or multi-ethnic backgrounds.
Category Breakdown
The film challenges traditional views on sexuality by turning a body part into a character with its own personality. This surreal approach uses symbols to represent identity in a fluid way, rather than sticking to typical sexual stereotypes.
The film breaks down traditional masculinity through humor and satire instead of portraying it heroically. By showing the protagonist interacting with an independent body part, the movie pokes fun at the usual male authority.
The story stays focused on pre-revolutionary France and does not include much racial diversity or actors from non-Anglo-Saxon backgrounds.
The story sharply criticizes established powers and state oppression. It explores political instability and upheaval through a modern lens, offering a rich look at institutional strength and weakness.
The film does not specifically depict physical or neurological disabilities as key parts of the story.
Present on Screen
Limited or Absent
Official Synopsis
On the eve of revolution, French activist and author Marquis and his talking penis, Colin, await judgment in the Bastille for allegedly plotting against the state. While Marquis dedicates himself to his art and Colin longs for action, the provocative pair unwittingly rouse the interest of competing ideological factions.

2012

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