The film lacks LGBTQ+ characters or non-heteronormative identities. Interpersonal dynamics are strictly limited to a traditional heterosexual pairing between the American expatriate and his girlfriend.

Narrative agency is concentrated in the male protagonist, who drives the investigation. Female characters often function as subjects of the gaze, occupying reactive or vulnerable roles rather than autonomous ones.

The cast is predominantly white and European, reflecting the 1970s Italian cinematic landscape. There is a lack of intersectional casting or intentional racial blending within the story.

The film focuses on psychological alienation and the instability of perception in an urban environment. It explores individual obsession rather than providing a systemic critique of religion or capitalism.

There is no intentional representation of physical or neurodivergent disabilities. While the film explores psychological trauma, these elements serve the thriller genre rather than providing nuanced character studies.