
Miracle
1982

Representation Score
Limited
1977
Director
Roberto Fandiño
Runtime
96 minutes
Average Rating
No ratings yetNew Showbiz Analysis
María, la santa is a character-driven drama that uses religious symbolism to explore social stigma. The film's main focus is on the tension between a woman's underrepresented status and her posthumous spiritual veneration. By transforming a prostitute into a figure of miracles, the film examines moral relativism and the reclaiming of identity through faith. However, the film lacks breadth in its representation of diverse identities. It does not include LGBTQ+ themes, diverse racial casting, or the subversion of gendered power dynamics.
Category Breakdown
The film does not include any LGBTQ+ characters or non-cisgender identities. The story focuses solely on maternal and familial relationships.
María is a central female character, but her identity is closely linked to her profession and her relationship with her son. The film does not explicitly challenge traditional gender roles.
The film's racial composition is not specified in the available details. A neutral score is assigned due to the lack of information regarding the ensemble's casting.
The story questions social hierarchies by elevating a underrepresented woman to sainthood. This suggests a critique of institutional morality by highlighting the sacred within the everyday.
There is no information about the depiction of physical, neurodivergent, or mental health conditions in the film.
Present on Screen
Limited or Absent
Official Synopsis
Diego , the son of a prostitute stabs Maria , suddenly it begins to happen a number of miracles attributed to the intercession of the dead woman . Patients from all over town arrive to implore and consider her as a saint.

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