The film centers on a traditional heterosexual romance between Goya and the Duchess. There is no evidence of non-cisnormative identities or same-sex intimacy.

The Duchess of Alba is a powerful central figure, yet her agency is often framed through romantic tropes. She primarily serves as a muse within a patriarchal structure.

The cast reflects the predominantly white, aristocratic Spanish court of the late 18th century. It does not use diverse casting to challenge the historical status quo.

The narrative follows conventional 1950s dramatic arcs and Western historical frameworks. It lacks a critique of institutions like the church or the aristocracy.

There is no discernible focus on characters with physical or neurodivergent disabilities in the narrative.