The film lacks any depiction of non-heteronormative identities or queer subtext. The narrative focuses exclusively on the fraternal bond and romantic pursuits of female characters.

Female characters primarily serve as catalysts for male protagonists, acting as objects of rivalry or figures needing protection. The story emphasizes masculine agency through vengeance and dueling.

The cast is predominantly white, consistent with 1920 production standards and the European setting. There is no evidence of racial blending or subversion of homogeneous casting norms.

The narrative prioritizes Western tropes of honor, vengeance, and romantic melodrama. It utilizes Corsican settings to drive a plot centered on conventional 19th-century notions of justice.

No characters with visible or invisible disabilities are portrayed with agency. The brothers' telepathic connection functions as a supernatural plot device rather than an exploration of neurodivergence.