Music

The protagonist's struggles with sexual hang-ups indicate a move away from traditional sexual norms. Although no non-cisgender identities are explicitly confirmed, the narrative challenges typical reproductive or domestic roles.

The film focuses on a woman's internal psychological state and sensory loss, rather than her interactions with men. This shifts the emphasis from traditional hierarchies to her personal autonomy and control over her own life.

As a 1972 Japanese production, the film operates within a culturally uniform setting. It delves into internal psychological states rather than showcasing a diverse cast of ethnicities.

The narrative takes a secular, modernist approach to dealing with suffering through psychiatric means. It questions social norms that demand conformity, presenting traditional structures as sources of psychological stress.

The protagonist's inability to hear music serves as a central metaphor for sensory or psychological disabilities. Using a psychiatric lens, the film provides a nuanced look at neurodivergence.