
Empire
1965

Representation Score
Fair
1970
Director
Standish Lawder
Runtime
12 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Necrology focuses on the semiotics of a crowd rather than individual character arcs. Its minimalist approach strips away personal ability to act, highlighting the mechanical nature of modern existence. The film's strength lies in its critique of Western industrial capitalism and the dehumanizing effects of urban life. It also disrupts traditional gender hierarchies by removing individual ability to act and heroic clichés. However, the focus on a homogenous, tired mass prevents the exploration of diverse lived experiences, including LGBTQ+ identities or disability.
Category Breakdown
The film does not depict sexual orientation or gender identity explicitly. The observational style keeps individual identities anonymous, focusing instead on the crowd as a whole.
The film presents commuters as a single, mechanical entity, avoiding traditional gender hierarchies and heroic roles. However, it lacks detailed characterization to actively challenge specific gender roles.
The 1970s New York setting implies a likely multi-ethnic urban population. However, there is no indication of intentional characters who reflect more than one aspect of diversity or specific progressive casting choices.
The film sharply critiques Western industrial capitalism, framing the urban rush as dehumanizing. It challenges the perceived vitality of modern professional life.
There is no exploration of neurodivergence or physical disabilities. Subjects are shown as a homogenous, tired mass, reducing individual experiences to a functional state.
Present on Screen
Limited or Absent
Official Synopsis
The faces of a 5:00 PM crowd descending via the Pan Am building escalators in one continuous shot. In old-fashioned black and white, these faces stare into the empty space, in the 5:00 PM tiredness and mechanical impersonality, like faces from the grave.

1965

1927

1970

1929

1957

1978

1969

2000
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