The film focuses on the ecclesiastical hierarchy and the spiritual ascent of Angelo Roncalli. It adheres to the traditional heteronormative and clerical structures of the mid-20th century, offering no queer narratives.

The narrative centers on the male experience of spiritual and political leadership within the Vatican. It reinforces traditional patriarchal institutions by lacking female characters in positions of influence.

As a period piece centered on Italian history, the cast and setting are predominantly homogeneous. The film maintains a traditional Eurocentric focus without intentional efforts toward diverse ethnic perspectives.

The film functions as a hagiographic exploration of a religious figure. It operates within the established moral and institutional paradigms of Western Christianity rather than prioritizing secularism.

There is no evidence of characters with visible or invisible disabilities being granted agency. The story remains focused on the spiritual and political maneuvers of the clergy.