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The Crime of Shirvanskaya

The Crime of Shirvanskaya

1926

Director

Ivane Perestiani

Runtime

70 minutes

Average Rating

No ratings yet

Synopsis

Princess Shirvanskaya is from Baku. She lives in Paris and wants to get back her father’s property who before the revolution owned big oil fields.

Where to Watch

Diversity & Representation

Overall Score

4.2/10

Fair

Category Breakdown

LGBTQ+ Representation

Minimal

The film contains no documented evidence of LGBTQ+ characters or non-cisnormative identities. There are no narratives present that critique heteronormativity.

Gender Representation

Fair

Princess Shirvanskaya serves as a proactive female protagonist seeking to reclaim her family's lost oil fields. This provides a level of female agency that avoids purely passive archetypes.

Racial & Ethnic Diversity

Good

The story centers on a character from Baku operating within a Parisian setting. This movement between the Caucasus and Western Europe explores themes of cross-cultural displacement.

Religious & Cultural Diversity

Fair

The plot engages with the socioeconomic disruption caused by the Russian Revolution. It focuses on the friction between old-world aristocracy and new political realities.

Disability Representation

Minimal

There is no evidence of characters with physical or neurodivergent disabilities. This category remains unrepresented in the narrative.

Strengths

  • The central female protagonist demonstrates significant agency and clear objectives.
  • The narrative explores cross-cultural displacement by moving between Baku and Paris.
  • The plot engages with complex themes of socioeconomic upheaval and lost status.

Areas for Improvement

  • The film lacks any representation of LGBTQ+ identities or queer narratives.
  • There is no visible representation of characters with physical or neurodivergent disabilities.
  • The narrative leans heavily on traditional aristocratic and adventure tropes.

AI Analysis

The film functions as an action-adventure piece that finds its strength in themes of displacement and female agency. By centering a Baku-born protagonist in Paris, the narrative disrupts the idea of a purely homogeneous Western hero. However, the film remains limited by its adherence to traditional adventure tropes. It focuses more on the socioeconomic upheaval of the post-revolutionary era than on a deliberate deconstruction of identity hierarchies. Ultimately, the lack of representation for LGBTQ+ and disability communities prevents a higher diversity rating, despite the interesting cross-cultural premise.

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