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68

68

Representation Score

6.1/10

Good

2012

Director

Patrick Rotman

Runtime

110 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Patrick Rotman’s documentary excels at deconstructing historical power structures by examining the systemic upheavals of 1968. Its greatest strength lies in its global perspective, which moves beyond an Anglo-centric lens to include diverse geopolitical struggles. The film effectively uses archival footage and counter-culture music to capture the era's chaos and prioritize the voices of those challenging the status quo. However, the film's focus on historical revolutionary leaders results in a narrative dominated by masculine archetypes. Additionally, the lack of explicit focus on LGBTQ+ narratives or disability representation limits its overall inclusivity.

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Category Breakdown

Does 68 have LGBTQ+ representation?

Fair

The film focuses on geopolitical conflicts and global political movements. While the era was important for queer liberation, there are no explicit narratives about non-binary gender identities.

How does 68 portray gender?

Fair

The narrative centers on revolutionary figures like Che Guevara and De Gaulle, which emphasizes masculine archetypes. However, the film explores the breakdown of traditional social and patriarchal orders.

How racially and ethnically diverse is 68?

Good

The film's scope is inherently global, covering from Saigon to Mexico. By highlighting the Vietnam War and Che Guevara, the film prioritizes non-Western perspectives and the empowerment of oppressed populations.

How does 68 represent religion and culture?

Excellent

The documentary highlights anti-establishment icons and protests against state institutions. It prioritizes revolutionary experiences and counter-culture music over singular institutional morality or state-sanctioned patriotism.

Does 68 include disability representation?

Minimal

There is no specific evidence regarding the portrayal of physical or neurodivergent disabilities within the film's coverage of the 1968 era.

Present on Screen

  • The film prioritizes non-Western perspectives and the empowerment of colonized populations.
  • It successfully deconstructs traditional power dynamics by focusing on anti-establishment movements.
  • The use of counter-culture music and archival footage captures the subjective, revolutionary experience of the era.

Limited or Absent

  • The focus on historical revolutionary figures leans heavily toward masculine archetypes.
  • There is a lack of explicit representation or narrative focus regarding LGBTQ+ identities.
  • The film provides no visible evidence of disability representation or neurodivergent perspectives.

Official Synopsis

From Washington to Saigon, Rome to Mexico, Paris to Prague, a wave of protests shook the world. 68 looks back at the looks back at the Vietnam War, the Prague Spring and the Soviet Invasion, the Paris riots, Dubcek, Che Guevara, De Gaulle, Cohn-Bendrik and more. A dive into the chaos of a turbulent year, featuring fantastic colour footage and the music of Jimi Hendrix, Janis Joplin, Jim Morrisson and Bob Dylan.

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