You are here:

Boy, Did I Get a Wrong Number!

Name: Boy, Did I Get a Wrong Number!
Director: George Marshall
Released: 1966
Duration: 99 min

Representation Score

1.4/10

Minimal

1966

Director

George Marshall

Runtime

99 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Boy, Did I Get a Wrong Number! is a classic mid-century romantic comedy that upholds the social structures of its time. The narrative depends on well-known clichés, such as the 'bombshell' actress, to create its comedic conflicts. The film lacks meaningful representation of diverse identities, focusing instead on a conventional domestic framework. It emphasizes traditional romantic complications and Western social norms without challenging systemic issues or promoting inclusivity.

Watch this, not that →

Category Breakdown

Does Boy, Did I Get a Wrong Number! have LGBTQ+ representation?

Limited

The film focuses on a traditional romantic relationship between a man and a woman, with no representation of LGBTQ+ identities or critiques of the assumption that everyone is straight or cisgender.

How does Boy, Did I Get a Wrong Number! portray gender?

Limited

The film uses the 'bombshell' cliché, emphasizing the female lead's physical appeal. Conflict is driven by the male protagonist and traditional marital tensions.

How racially and ethnically diverse is Boy, Did I Get a Wrong Number!?

Minimal

The setting and character types suggest a homogeneous cast, reflecting Western-centric casting norms of the mid-1960s.

How does Boy, Did I Get a Wrong Number! represent religion and culture?

Limited

The story aligns with mid-century Western social values, focusing on individual romantic pursuits rather than critiquing established social institutions.

Does Boy, Did I Get a Wrong Number! include disability representation?

Minimal

The film does not include any characters with visible or invisible disabilities.

Present on Screen

The film offers a clear, traditional comedic structure typical of the studio era.

Limited or Absent

The narrative heavily relies on gendered clichés like the 'bombshell' archetype.
There is a lack of racial and ethnic diversity among the characters.
The story does not represent LGBTQ+ identities or non-assuming gender matches what was assigned at birth perspectives.

Official Synopsis

Tom Meade mistakenly dials the gorgeous European film star Didi at her Oregon hotel. Didi, who has escaped Hollywood to avoid being typecast as a bombshell, takes up Meade's offer to hide away at his backwoods cabin. Meade, with the help of his housekeeper, goes to absurd lengths to help the actress evade discovery by both the public and his suspicious wife.

How are these scores produced? →