You are here:

Makrykostas and Kontogiorgis

Name: Makrykostas and Kontogiorgis
Director: Alekos Sakellarios
Released: 1960
Duration: 75 min

Representation Score

2.8/10

Limited

1960

Director

Alekos Sakellarios

Runtime

75 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Alekos Sakellarios uses humor to mock rigid social structures and outdated honor codes. The film serves as a critique of the very patriarchal hierarchies it portrays, emphasizing human connections over heroic duties. Despite lacking modern markers like LGBTQ+ visibility or racial diversity, the film offers a nuanced perspective on Mediterranean social constraints. The protagonists' refusal to engage in systemic violence subtly challenges traditional masculine archetypes. Overall, the film is a product of its time, prioritizing the deconstruction of regional traditions over a diverse or globally inclusive cast.

Watch this, not that →

Category Breakdown

Does Makrykostas and Kontogiorgis have LGBTQ+ representation?

Minimal

The film focuses on a traditional male rivalry and does not include any characters with non-binary gender identities or same-sex relationships. It follows the assumption that everyone is straight and cisgender, typical of 1960s Greece.

How does Makrykostas and Kontogiorgis portray gender?

Fair

Though the conflict revolves around male lineage, female elders play crucial roles in driving the story. They provide weapons and encouragement for violence, challenging passive feminine stereotypes.

How racially and ethnically diverse is Makrykostas and Kontogiorgis?

Limited

The cast is made up of actors from the same ethnic background, reflecting the local village setting in the Peloponnese region. The story does not explore racial or ethnic diversity.

How does Makrykostas and Kontogiorgis represent religion and culture?

Fair

The film criticizes traditional honor codes and ancestral vendettas. By showing protagonists as fearful of violence, it dismantles romanticized ideas of vengeful patriarchs and warrior archetypes.

Does Makrykostas and Kontogiorgis include disability representation?

Minimal

There are no visible or invisible disabilities that play a central role in the character arcs or plot progression within the available narrative.

Present on Screen

Uses humor to criticize rigid social structures and outdated honor codes.
Influential female elder characters challenge passive feminine stereotypes.
Critiques the romanticized archetype of the vengeful patriarch.

Limited or Absent

Does not include LGBTQ+ visibility or non-assuming gender matches what was assigned at birth representation.
Features an ethnically homogeneous cast with no racial diversity.
Depends on traditional gender hierarchies and patriarchal lineage.

Official Synopsis

Stelios Kondogiorgis (Dinos Iliopoulos) and Thomas Makrykostas (Costas Hajihristos) are two quiet men that come from the same Peloponnese village yet do not know each other. Their families however are involved in a bloody feud that started 80 years ago. Stelios and Thomas are the last male members from each family. After the last murders in the village where a member of each family died, Stelios' uncle (Pantelis Zervos) urges him to find and kill Thomas for revenge lest he finds him and kills him first. At the same time Thomas is visited by his aunt (Joly Garbi) who asks of him the same and provides him with weapons. Despite everything, neither Stelios nor Thomas are interested in murdering one another and they are both terrified from the idea that a stranger is looking for them in order to kill them. So, they decide to leave their respective jobs and hide at some remote hotel. Luck brings them together without them knowing of each other's identity as they share a room.

How are these scores produced? →