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La Bonne Planque

Name: La Bonne Planque
Director: Roland Bailly
Released: 1964
Duration: 160 min

Representation Score

3.1/10

Limited

1964

Director

Roland Bailly

Runtime

160 minutes

Average Rating

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New Showbiz Analysis

La Bonne Planque is a mid-century comedy that focuses on situational farce rather than social commentary. The plot revolves around the clash between criminals and a peaceful civil servant, using classic clichés to drive the conflict. The film adheres to traditional comedic structures of the 1960s. It lacks intentional efforts to challenge social hierarchies or provide diverse representation, focusing instead on disrupting domestic stability through criminal elements. Ultimately, the work functions as a conventional genre piece. It relies on established character types and gendered maneuvers rather than progressive narrative techniques.

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Category Breakdown

Does La Bonne Planque have LGBTQ+ representation?

Limited

The film uses seduction as a tactic to advance a criminal plot. There is no clear indication of LGBTQ identity or a meaningful exploration of queer experiences.

How does La Bonne Planque portray gender?

Fair

Women's roles in the film are tied to a male-driven criminal plot through charm and manipulation. The story relies on traditional gender roles rather than independent female authority.

How racially and ethnically diverse is La Bonne Planque?

Limited

The Parisian setting reflects a homogeneous society. There is no evidence of non-white representation or the use of metaphor to address ethnic diversity.

How does La Bonne Planque represent religion and culture?

Fair

The story explores the tension between the criminal underworld and the middle-class civil service. It functions as a situational farce rather than a critique of Western institutions.

Does La Bonne Planque include disability representation?

Minimal

No characters are identified as having visible or invisible disabilities within the narrative.

Present on Screen

The film creates clear comedic tension between the criminal underworld and the established middle class.
The narrative effectively uses situational conflict to disrupt a peaceful domestic setting.

Limited or Absent

The film relies on traditional gender clichés where female characters serve as tools for male-driven plots.
The cast and setting lack racial and ethnic diversity, reflecting a very homogeneous social environment.
The use of flirtation lacks depth, functioning as a plot device rather than exploring identity.

Official Synopsis

Émile and Fredo are two crooks who have just committed an armed robbery in a Paris bank. To escape the police, Émile, accompanied by his friend Lulu, takes refuge in the apartment of Antoine Perrin, a peaceful civil servant at the Ministry of Agriculture and amateur musician with the group Les Joyeux Colibris. Lulu offers to seduce him in order to prevent him from getting hit on the coffee pot.

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