The film follows traditional heteronormative structures common in mid-90s animation. No non-cisnormative identities or same-sex intimacy are present within the cast.

Female characters like Diana possess agency but often function within companion frameworks. Male characters drive the primary tactical and plot-heavy sequences.

The Japanese ensemble provides a non-Western perspective against Eurocentric adventure tropes. The inclusion of a British MI-6 agent adds a cross-cultural intersection.

The story relies on moral relativism and individualistic heroism rather than systemic critique. Antagonists serve as standard tropes rather than social commentary.

The characters are portrayed as able-bodied action agents. There is no discernible representation of visible or invisible disabilities in the narrative.