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Crooks in Cloisters

Name: Crooks in Cloisters
Director: Jeremy Summers
Released: 1964
Duration: 97 min

Representation Score

2.2/10

Limited

1964

Not Rated

Director

Jeremy Summers

Runtime

97 minutes

Average Rating

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New Showbiz Analysis

Crooks in Cloisters is a period-typical comedy that relies on the juxtaposition of criminal activity and a monastic setting. The narrative follows a small-scale robbery crew attempting to settle into a quiet life, adhering to the conventional storytelling structures of 1964 British cinema. The film lacks intentional efforts to deconstruct social hierarchies or prioritize multiple aspects of identity. Instead, it utilizes established genre clichés, such as the criminal 'moll' and the comedic misuse of religious spaces, to drive its plot. Overall, the production reflects the demographic norms and traditional social frameworks of its era, focusing on a localized British criminal element without significant diversity in representation.

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Category Breakdown

Does Crooks in Cloisters have LGBTQ+ representation?

Minimal

The film doesn't include any characters with non-straight or non-cisgender identities. The presence of a 'moll' indicates a traditional romantic dynamic typical of 1960s crime comedies.

How does Crooks in Cloisters portray gender?

Limited

The story focuses on a male-dominated criminal crew. Bikini's role as a moll suggests she holds a secondary position within the group hierarchy.

How racially and ethnically diverse is Crooks in Cloisters?

Limited

The London and Cornish settings imply a predominantly homogeneous cast. There is no indication of a diverse ensemble or actors from different backgrounds.

How does Crooks in Cloisters represent religion and culture?

Fair

A disused monastery serves as a situational backdrop for the comedy. The film uses this religious setting as a cliché rather than a critique of institutional morality.

Does Crooks in Cloisters include disability representation?

Minimal

There is no mention of characters with visible or invisible disabilities within the narrative.

Present on Screen

The film utilizes a unique comedic premise by placing a criminal crew within a monastic setting.

Limited or Absent

The narrative relies on traditional gender roles, specifically the secondary role of the female 'moll'.
The cast appears homogeneous, lacking racial or ethnic diversity within the ensemble.
There is a lack of representation for LGBTQ+ identities or non-straight narratives.

Official Synopsis

Having pulled off the smallest ever train robbery, Little Walter and his crew decide to get out of London. The six of them set up business in a disused monastery off the Cornish coast, despite the fact that none of them really qualifies as a monk - least of all Walter's moll Bikini. Bit by bit, the quiet way of life starts becoming a habit.

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