The film follows strict heteronormative romantic structures. There is no evidence of non-cisnormative identities or same-sex intimacy, as romantic arcs focus entirely on male partners.

The narrative subverts traditional hierarchies by centering the 'New Woman.' Female characters navigate social spaces with high autonomy, shifting the focus from male-driven action to female-driven social maneuvering.

The film reflects the homogeneous casting standards of the 1920s. The social setting is depicted through a predominantly white, upper-middle-class lens with no evidence of non-white casting.

The story prioritizes a secular, social-centric lifestyle over traditional religious morality. It frames Jazz Age rebellion and the rejection of parental authority as modern social realities.

There is no evidence of characters with visible or invisible disabilities being portrayed with agency or as central components of the plot.