
No, No, Nanette
1940

Representation Score
Minimal
1943
ApprovedDirector
William Rowland
Runtime
72 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Follies Girl operates as a standard mid-century musical comedy, adhering strictly to the industry formulas of 1943. The narrative structure relies on established social hierarchies and traditional romantic clichés rather than challenging them. The film's focus remains on a central romantic conflict and familial dynamics. While the female lead has a professional role, the driving forces of the plot are rooted in male-centric concerns regarding wealth and legacy. Ultimately, the production offers little disruption to the status quo of its era, presenting a world defined by conventional assumptions about relationships and social structures.
Category Breakdown
The film follows a conventional structure centered around heterosexual relationships. It features a romantic triangle involving a wealthy man, his son, and a female designer.
Anne Merriday, the female lead, has a professional role as a dress designer. However, her character is primarily framed through her desirability to the male leads within a traditional hierarchy.
The narrative lacks evidence of non-white characters having significant roles. The setting suggests a focus on the homogeneous casting typical of the 1943 studio system.
The story reinforces Western social structures and capitalist entertainment values. It emphasizes familial stability and the preservation of wealth and legacy.
There is no mention of characters navigating physical, sensory, or neurodivergent experiences.
Present on Screen
Limited or Absent
Official Synopsis
In PRC's Follies Girl, Wendy Barrie plays dress designer Anne Merriday, who becomes the object of middle-aged millionaire J. B. Hamlin's (J.C. Nugent) affections. To save his dad from throwing his life away on a supposed golddigger, Hamlin's son, Army private Jerry Hamlin (Gordon Oliver), begins courting Anne-and, of course, falls genuinely in love with her himself. Meanwhile, the rogueish J.B. tries to mount a Broadway burlesque show, with costumes designed by Our Heroine.

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